IN RUAHA EVOKES THE PERIL AND BEAUTY
OF WALKING SAFARIS
A middle-aged elephant bull stands in the riverbed towering over five younger bulls that follow him around. It’s a spot on the Mwagusi sand river where the underlying rocks push water toward the surface making it easier for the elephants to dig. The wind has died, and a little ash shaken from an old sock drifts slowly to the ground. The elephant moves his foreleg back and forth shovelling sand away, creating a hole big enough for his trunk to siphon up the cool, sand-filtered water.
One of the younger bulls does the same, his ears waving in a desperate attempt to keep cool in the oppressive heat. The others rest, huddled together as if trying to hide their faces, the ends of their trunks relaxed and flat on the ground. A Tamarind tree provides little shade in its leafless state. Every move is deliberate.
I click my fingers softly to get the attention of the six rangers hunkered down with me behind some rocks. Simon Peterson, a fellow guide, whispers some questions to them: Where is the wind coming from? Are we close enough? Do the elephants pose a threat? Could we be in a better position? Do we have an escape route? Where are the elephants most likely to go should they become alarmed? The leading ranger shakes his ash bag again. The wind is erratic because of the stifling heat that sends swirling thermals up the river, but we judge we’re in a safe place. We watch the elephants a little longer then retreat.
Ruaha gets under your skin. It’s intense. Magical. Extreme. The dry season screams for rain until the soil is hoarse and inflamed, only to make way for thunderstorms that turn gullies into violent torrents, and grasslands into moving sheets of water. Those who come to Ruaha usually visit in the dry season when the watering holes dry up in the surrounding hills, and the wildlife is forced down to the Great Ruaha River. Huge herds of buffalo move between massive lion pride territories creating scenes fit for sensational documentaries.
It’s common to see greater kudu, bushbuck, impala and dik-dik feeding on dark red flowers dropped by yellow baboons sitting high up in the kigelias. Giraffes maintain the browse lines on these sausage trees and, if you look closely, you may notice that one of the eponymous sausages hanging down is, in fact, a leopard’s tail. In more remote areas roan, sable and hartebeest come to drink from less lion-infested springs. But, as those who have seen the seasons change in Ruaha know, its wildness encompasses more than big game. There are more than 1,600 species of plant, and the bird list is over 600 with at least three endemics. Ruaha is also a place of elephants.
But the elephants were so hammered by poaching in the 1970s and 80s that most of the big tuskers have been killed, effectively selecting for genetically small or absent tusks. But even these surviving tuskless matriarchs and their progeny are not immune to the recent surge in poaching. Despite all this, Ruaha boasts the largest elephant population in Tanzania at present – but that’s only because of the decimation of the Selous population by even more intense poaching.
We were here teaching a six-week long walking safari course for government rangers. Our team consisted of a doctor, a former professional hunter with years of experience in firearms training, and four guides with experience leading walking safaris in Ruaha and other wilderness areas.
The training was part of a larger project funded by the United Nations Development Programme (UNDP) called ‘Strengthening Protected Areas Network in Southern Tanzania’ (SPANEST). Walking safaris in Ruaha had been severely impacted by a series of tragic accidents in preceding years. The reactions of authorities and safari operators to these incidents tended to be impulsive rather than analytical, so something absolutely had to be done to improve safety. Through the vision of Godwell Meing’ataki (Project Coordinator) and Paul Harrison (Technical Advisor to UNDP), funds from the SPANEST project were allocated specifically for walking safari guide training.
In Tanzania rangers are government employees whose job is primarily protecting wildlife from poaching, and only occasionally protecting tourists on walks led by professional guides. Their training is limited to law enforcement, and most ambitious new guides tend to set their sights on sitting behind the steering wheel shuttling tourists around places like Ngorongoro and Serengeti. So it is no surprise that the walking safari industry is underdeveloped.
Safe walking safaris provide the opportunity to focus on the more subtle aspects of nature, which are difficult to appreciate from a vehicle. Instead of listening to an engine you hear your own footsteps, and might even realise how loud your breathing is. It’s easier to smell the wild herbs, and feel the textures of bark. You make way for a Sungusungu ant colony coming down an elephant path, and you realize how relative scales of time and distance are. You become a participant rather than an observer. The baboon bark or impala snort is aimed at you as the super-predator, not the leopard or lion. There is a vulnerability that becomes apparent, stimulating your senses to sharpen. It is also incredibly peaceful.
Our course started with five days of first aid training focusing on identifying, managing and preventing medical emergencies in the wilderness. The American definition of “back-country” or “wilderness” for the purpose of emergency medicine is anywhere further than twenty minutes from definitive care. The southern parks in Tanzania are at least six hours from definitive care even with an efficient evacuation plan. So, action rather than reaction is the mantra of the course. Recognising and preventing medical issues is also critical in preventing accidents. For example, participants learned to recognise signs of dehydration because it can result in irrational behaviour or the inability to follow instructions at a critical moment, thereby presenting a safety risk.
Walking in the vicinity of dangerous animals, particularly elephant, buffalo and lion, is inherently risky so firearms training is an important aspect of the course. There is much truth in the statement that the most dangerous animal in the bush is a human with a gun, so the training is focussed on ensuring safe, accurate and professional handling of the heavy calibre rifles.
In the extremely rare case that a potentially dangerous animal actually becomes dangerous, decisions must be made quickly. There is no margin for error when an animal is moving toward you with intent. The high calibre rifles necessary to stop elephant and buffalo shoot one bullet at a time and only carry a few rounds in the magazine. Firing a second bullet requires manually operating a bolt to eject the spent cartridge, and re-chambering the second round. So the first shot is critical.
Some of the more difficult and subtle training involves attitudes and natural history awareness. There is a disproportionate fear associated with some potentially dangerous game that stems from cultural stigmas and false information. One example is the fear of snakes. I grew up in a village, and like most Tanzanian children, we were taught to be terrified of snakes.
Any snake sighting incited hysteria, and people running to kill it with hoes and machetes. Elders would embellish stories of black mambas moving so fast it was as if they were flying. It wasn’t until I was much older that I met people who handled snakes. Through study I learned to understand that not all snakes are dangerous, and that even dangerous snakes usually try to avoid people. Exploring misconceptions about the potentially dangerous game needed our careful consideration. The reason we use the term “potentially dangerous game” is because, under normal circumstances, they aren’t dangerous. We armed rangers with the knowledge and experience to guide crucial decision making.
It’s a struggle for some of the rangers to reconcile their long-held fears. If your perception of elephants is built on the same sentiments as my previous fear of snakes, sitting on a ridge watching elephant feeding below, or climbing onto boulders to safely let a herd come past, can be terrifying. We spent a lot of time discussing the fact that fear is healthy because it makes you careful. If you don’t have some fear you don’t understand the risk, and this makes you dangerous.
Jane, a single mother with a young son, offers a good example of safely overcoming fear. The first woman to receive an Interpretive Guides Society Walking Certificate, she was initially hesitant to walk in areas with elephants, and the .458 rifle was heavy for her at first. But she has got used to it and, following her training, she is now better able to understand elephant behaviour, and so protect her guests, herself and her son.
Andrew Molinaro (Moli), who leads private walking safaris in Ruaha, has noticed changes in the rangers. ‘From our first course in January 2013, the difference in attitude and competency of the rangers has been extraordinary. They are now well versed in the concept and procedures of a bush walk. Rangers understand the animals much better now, and have far more confidence in themselves. They now form an integral part of any walking safari.’
There’s a long way to go. This kind of training is expensive and requires a good deal of time but it’s a start. Pietro Luraschi, a specialist walking guide and co-trainer, pointed out, ‘You can see the pride of being part of an elite team of qualified walking guides.’ These are important steps, as the neglected southern circuit of Tanzania continues to seek recognition as the world-class wildlife and wilderness destination that it is.
As we return to the vehicle from the elephant sighting, we stop under one of Ruaha’s iconic baobab trees. Brown parrots screech as they fly away, white petals of the baobab blossoms float to the ground where impala, kudu and bushbuck will feed. It’s an opportunity to talk about pollination and baobab ecology.
We feel the mud-caked marks where elephants have rubbed their hide, and we inspect the damaged where they’ve ripped bark from the tree. In the bark of another baobab, we find the end of a tusk embedded. One side of the tree is covered in hundreds of small holes, a few of them bearing a wooden peg, evidence of honey gathering by humans. Some of the peg marks are recent – honey poachers, as they are now called – but some scars date back 500 or 1,000 years. How old is a baobab tree, really?
This is one of the issues we discuss. Are all these baobabs a similar age because they were able to flourish when there were enough people here that elephants stayed away? As we discuss the history of humans in the park, we notice an old grinding stone, then some shards of pottery. High up in the branches two male scarlet-chested sunbirds bicker, then a greater honey guide arrives and starts chattering at us. He wants us to follow him to honey, and leave him some beeswax and grubs in thanks. The evidence of our reliance on, and once integral role in, the ecosystem becomes more and more apparent. By walking in the wild we are reminded of who we are.
‘RUAHA, TANZANIA’S WILDEST FRONTIER’
ETHAN KINSEYwas born and raised close to Arusha, where he and his wife now make their home. Being outside, immersed in nature, has always been a part of his life, from catching tadpoles, birding and outdoor pursuits as a child, to winter sports during college vacations. More recently, it has taken the form of sharing wildlife and wilderness experiences with guests, specialized guiding, guide-training, and personal learning ventures. Primarily occupied with designing and guiding private safaris throughout East Africa, he is also active in training and development of guiding standards through the Interpretive Guides Society. Ethan writes about his training program for rangers in A WALK ON THE WILD SIDE.
DR. AMY DICKMAN has always been passionate about big cats, and has been lucky enough to make this her career, working in southern and eastern Africa for over 17 years. She founded and directs Oxford University’s Ruaha Carnivore Project and works in Tanzania’s Ruaha which landscape supports some of the world’s most important big cat populations. Amy is a prize-winning conservationist, a National Geographic Explorer, and has co-authored over 30 scientific articles, but remains happiest when getting the chance to watch lions, ideally accompanied by a cold G&T sundowner! Amy tells us about the challenges and successes of the Ruaha Carnivore Project in A FRIEND OF THE ENEMY.
SUE STOLBERGER was born in Jamaica and moved to Tanzania with her parents when she was four years old. Their trips to Tanzania’s wonderful game parks were a great influence on Sue’s desire to make a career from art and wildlife. She began painting seriously after school and first exhibited in Nairobi at the age of eighteen. After two years in Italy studying the great masters, she returned to East Africa, paint brushes in hand, and her adventures in the bush truly began. With her mobile camp, Sue has lived and worked in national parks all over Tanzania and Kenya and travelled to the wildest places to find inspiration. Over the past 11 years she has made her home in Ruaha where she draws inspiration from the peace and solitude of this remote wilderness. Sue tells us about her life in Ruaha in WILD INSPIRATION.
OWEN PRÜMM was born in Johannesburg and cut his teeth in the film industry working as a trainee technician on features and commercials in New York City. After 10 years of developing his skills, Owen shifted focus to the world of documentary film-making and is now somewhat of a specialist in the natural history genre, having shot and directed over 100 hours for some major broadcasters, receiving over 30 craft awards for innovative cinematography in this field. Owen received a lifetime honorary membership from the South African Society of Cinematographers (SASC) and received two out of only three gold’s awarded at the Visible Spectrum Awards in 2000 for his work on spiders and snakes for the Discovery Channel. His most recent project, with his company, Shibumi Films, involves the tenacious, hard working lions of Ruaha which he expounds on in FILMING IN A LION BATTLE ZONE.
ROBERT J. ROSS is a native New Yorker who has spent the past decade capturing colorful moments around the world. He now divides his time between Cape Town and New York. His motivation is to reveal the uniqueness in everyday scenes, cutting through stereotypes to highlight the color and texture things as common as an Italian street market, or as exotic as virgin forest in Central Africa. For the past four years Rob has been shooting in Tanzania, primarily working on his forthcoming book on the Selous Game Reserve. Rob’s work has been published in National Geographic Adventure, National Geographic Traveler, Condé Nast Traveler, Getaway Magazine, Africa Geographic, Islands, Travel Africa and many other leading journals. He has also undertaken photographic assignments for the World Wildlife Fund, The Wildlife Conservation Society, The Global Fund for Children, and other NGO’s where he has felt that his images could make a difference. Rob travelled to Ruaha to photograph the ranger training program in A WALK ON THE WILD SIDE where he also captured the remarkable image of an elephant crushed by a baobab. View more of Rob’s work on his website.
PIETRO LURASCHI is a guide and guide trainer, working for the last ten years in the wildest of Africa’s national parks and especially Tanzania’s protected areas like the Selous Game Reserve and Ruaha National Park. Training has been a natural progression for Pietro and a way of giving back to a profession that has given him so much. He is now working part of the year as head guide for Kwihala camp in Ruaha and the rest of his time is dedicated to private guiding and training. He has guided trips to Ethiopia, Eritrea, Uganda, Kenya, Namibia and Tanzania, and trains guides in Kenya and Tanzania. Besides providing some of the photography for the article A WALK ON THE WILD SIDE, Pietro was one of the trainers for this walking safari training program.
ANDREW HARRINGTON is a photographer and field biologist interested in the relationships between mankind and wildlife, photographing subjects ranging from wild dogs in South Africa to gibbons in Borneo. Most of his photography is based in Africa and the Thames region in southern England where he makes his home. Andrew has been highly commended three times in the Wildlife Photographer of the Year Awards. Among others he has been published by BBC Wildlife Magazine, BBC Books, Blackwells Publishing, Burn, Canon, Oxford University, Terre Sauvage, Ethiopian Wolf Conservation Project, the Independent and Time. His photography of the the Barabaig community and the Ruaha Carnivore Project can be seen in A FRIEND OF THE ENEMY. You can view more of Andrew’s work on his website and follow him onInstagram.
MARIUS SWART is a passionate naturalist and consummate enthusiast who has been sharing the wonder of nature through his guided adventures since 1992. With a penchant for walking safaris conducted through safari company, Clearly Africa, Marius revels in the visceral experiences afforded by on-foot explorations, and truly believes that being out in the wilds allows us to see rather than look, hear rather than listen and feel rather than think. His photography can be seen in A WALK ON THE WILD SIDE.
ED HETHERINGTON is an Atlanta based photographer with a passion for sharing the beauty of Africa’s places, people and wildlife. Although born in New York City and raised in Atlanta, Ed says that “each time I take that first step off the plane in the bush it feels like I’ve come home.” He was recently named runner up in the 2013 Travel Photographer of the Year competition and was a finalist for the 2013 Veolia Wildlife Photographer of the Year. Ed and his wife Michelle are proud parents to a newborn baby who went on his “first” safari three months before he was born. He is the photographer of our Issue 3 cover RUAHA, TANZANIA’S WILDEST FRONTIER, and you can view more of ed’s work on his website.