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Africa Geographic
Wildlife . People . Travel
Klaserie Sands River Camp

Africa, without its penguins? A spine-tingling shiver as cold as the Atlantic ran through me when I discovered that our very own penguin could disappear within my lifetime.

The statistics are terrifying, and I had no wish to add to the doom and gloom by photographing dead penguins or dwindling colonies … I wanted to illustrate the plight of the African penguin in a way that grabs people and captures their interest in a positive way. If I got this right, perhaps I could inspire people to join in and help African penguins get back on their feet.

And so it was that over the course of many weekends and days off (I was working in marine conservation at the time) that I found myself attempting to melt into inconspicuousness at the Southern African Foundation for the Conservation of Coastal Birds (SANCCOB). Gradually, I engrained myself behind the scenes at SANCCOB. Going beyond the obvious, I started to capture intimate scenes of the birds, volunteers and staff at work. We were all in it together for the birds.

I don’t think the penguins shared the same sentiments. It was a messy business, and to capture a sense of bird life here I had to get down and dirty. Lying eye-level with a group of oiled birds left me wide open for target practice and more than once I had a face dripping with warm, fishy, liquid guano. Though my Nikon has finally lost all traces of penguin vomit, I did capture the twinkle in a rebellious penguin’s eye as he flung a sardine at my lens. Most of the penguins have to be force fed, and it’s no easy task. I happily bear the scars of a few penguin bites but my scratched glass filters will never be the same again. If you think penguins are cute and cuddly, I urge you to volunteer at SANCCOB.

Getting the images of the penguins being released at sea was a bit trickier than I’d anticipated … I had sketched the image out a hundred times: the boat captain would line the stern up with Table Mountain, the crewman knew how to hold and tilt the cargo box, my flash lighting was perfect (I had practiced on a cuddly penguin toy) and of course the penguins would jump like ballerinas in the perfect position. But, the best laid schemes o’ penguin an’ photographer went awry.

The swell was up, I was bobbing around in Table Bay, rolling with the waves, clinging on to my camera housing, re-adjusting the flash arms (constantly) and finning like mad (in murky water) to keep up with a big, drifting boat (the mountain had vanished). In addition, the heaving whale-watching clients and the contents of their unsealed sick bags that splashed overboard. Meanwhile, with not-so-perfect timing, the penguins tumbled ungracefully into the water. Somehow I managed to capture the moment, and thanks to a wave sweeping through – it was vomit-free.

SANCCOB works round the clock to care, hand rear and rehabilitate sea birds of all kinds. They are probably best known for their rehabilitation of African penguins after major oil spills, but their work goes far beyond this. Looking through my notes for the story So long and thanks for taking all the fish (December issue of Africa Geographic), the numbers are in bold black and white… the charts show that most colonies are decreasing each year.

There may be less than 5% of the original population left, but that percent still exists, and with it there is a very real possibility that these birds can recover from a century of knocks for another round on the continent. Perhaps it’s unrealistic to wish that we leave more than one third of the fish in the sea for the birds, but for the sake of the African penguin, shouldn’t we be aiming a little higher?

For a more in-depth look at African penguins and how their livelihoods are being affected by human actions, look no further than the December issue of Africa Geographic magazine, on sale now. Go here to hook yourself up with a copy.

Time and Tide
Cheryl-Samantha Owen

Cheryl-Samantha Owen is a photographer and writer specialising in the environment, conservation, science and ecology, with particular reference to Africa. Born in Kenya, Sam developed a fierce drive to protect the continent’s resources, and decided to train in the biological sciences. Sam holds a BSc in Environmental Science from Imperial College, London and a MSc in Conservation Biology at the Percy Fitzpatrick Institute, University of Cape Town. She has lived in Africa for most of her life, and her work with Fauna and Flora International, Conservation International and the Save Our Seas Foundation has taken her across the continent and along its oceans and coasts, including expeditions to the remote Aldabra Atoll, Djibouti and the Tana River Delta. Sam’s visual style combines an artist’s eye with both a scientist’s knowledge and a journalist’s sense of storytelling. She hopes her work will take the viewers on a journey of discovery and stir their curiosity. More than that, she strives to provide a visual stimulus, which will encourage us all to become better custodians of our planet.